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Natalie Louise Tombasco

Natalie Louise Tombasco

Winner of the 2023 Michael Waters Poetry Prize

Set in a kingdom populated with Shitshow Barbie, the Queens of Mean and Sourpuss, and a Lolita Army, Milk for Gall is a postmodern feminist epic that challenges patriarchal contradictions. The collection creates a protean landscape that opens with a primordial sigh and descends realm after realm, self after self, questioning passed-down constructions of womanhood while cultivating a nomenclature all its own: nimble, lush, rhythmic verse that liberates itself from the male gaze.


鈥淭hese poems dazzle, subvert, delight, and bite; their deeply intelligent performances make undeniable the  absurdity and weight of prescribed (and preyed-upon) femininities. Lush and percussive, Natalie Louise  Tombasco鈥檚 Milk for Gall made me fall in love with the textures and chimes of words all over again. Here is  a book that feels both hyper-contemporary and for the ages. An absolutely glorious debut.鈥

鈥揋abrielle Bates


鈥淭his book is sexy, dangerous, electric. In Milk for Gall, Natalie Louise Tombasco flirts with us, smirking at the male gaze and teasing 鈥榯he linguistic G-spot鈥 through an urgent and playful voice that feels both  singular and multifold. This is a poet who knows how to dig into our misogynistic cultural detritus and work  it into a subversive bed of 鈥榖ubblegum & Ouija,鈥 cultivating sharp, musical outbursts in poems that demand  to be heard. Tombasco鈥檚 speakers are girls gone feral who grow up and grow smart, reveling in the  pleasures of image and language. Here you will meet a lineage of Lolitas, queens, Berthas, and mermaids  mingling with the ghosts of Plath, Bishop, O鈥橦ara, and Ginsberg. They will greet you with a dazzling show.鈥

鈥揜ochelle Hurt


鈥淣atalie Louise Tombasco鈥檚 wonderful-strange collection of poems, Milk for Gall, is all appetite. The Surreal, the Sublime, the Occult, the Erotic all merge here, miraculous and malevolent in their intent to upend the  obvious. This book recalls, deliciously, Judy Chicago鈥檚 classic exhibit The Dinner Party in that we are offered  a seat at the table of a myriad of female perspectives. Tombasco鈥檚 linguistic aplomb, sonic chops, and  devastating takes on postmodern feminism make this astonishing debut a turbocharged reading experience.鈥

鈥揅ate Marvin


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