ÌýArtworkÌýÌý
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, who is best known for his sustained, prolific songwritingÌýand recording, was creating collages even before he was writing songs. OftenÌýsatirical, political, dark, and sarcastic, his collages have been exhibited atÌýMichael Imperioli’s Studio Dante in New York, the Rock and Roll Hall of FameÌýin Cleveland, and Merge Records headquarters in Durham, North Carolina. |
ÌýPoetry
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Benjamin Alfaro is a writer and educator from Detroit. He is the co-author ofÌýHome Court(Red Beard, 2014), and his work has been featured in The BreakBeatÌýPoets: New American Poetry in the Age of Hip-Hop, on HBO, and elsewhere. AlfaroÌýis a teaching artist with InsideOut Literary Arts Project where he currently servesÌýas the youth leadership coordinator. |
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is the author of The Maintenance of the Shimmy-ShammyÌý(Steel Toe Books, 2015). He won the 2015 Poetry Competition at ColumbiaÌýJournal, and his recent and upcoming publications include poetry in The MissouriÌýReview, Prairie Schooner, Ploughshares, Best New Poets 2014, The Journal, ColumbiaÌýPoetry Review, Mid-American Review, The Iowa Review blog, and Hayden’s FerryÌýReview and creative nonfiction in Boulevard, Passages North, and Colorado Review.ÌýCitro received his MFA from Indiana University and lives in Syracuse, New York. |
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is an assistant professor of English and creative writing atÌýWashington & Jefferson College. His first book, Reveille (University of ArkansasÌýPress, 2015), won the Miller Williams Prize, and his more recent work can beÌýfound in AGNI, The Georgia Review, The Gettysburg Review, Image, The NewÌýCriterion, The Southern Review, and elsewhere. He edits the journal 32 Poems andÌýlives with his wife and their three young children in Washington, Pennsylvania. |
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is a writer and lyricist from Pennsylvania and the author ofÌýa chapbook, Love and a Loaded Gun, forthcoming from Minerva Rising Press.ÌýShe has received awards from Jabberwock Review, Ruminate Magazine, and theÌýAcademy of American Poets, and her poetry has appeared or is forthcoming inÌýNimrod, Spoon River Poetry Review, The Pinch, and The Arkansas International, among others. Cole holds an MFA from Southern Illinois University CarbondaleÌýand is currently a PhD student at the University of Cincinnati. You can reachÌýher on Twitter via @EmilyColeWrites. |
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first book, Thaw, won the National Poetry Series and isÌýforthcoming from the University of Georgia Press in 2017. Her work appears inÌýThe Southeast Review(winner of the Gearhart Poetry Contest), Washington SquareÌýReview, Southern Humanities Review (finalist for the Auburn Witness Prize),ÌýArcadia (finalist for the Dead Bison Editor’s Prize), Sugar House Review, AmericanÌýLiterary Review, and Carolina Quarterly, among others. |
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Gregory Fraser is the author of three poetry collections: Strange Pietà , AnsweringÌýthe Ruins, and Designed for Flight. His poetry has appeared in journals includingÌýThe Paris Review, The Southern Review, Ploughshares, and The Gettysburg Review.ÌýHe is the recipient of grants from the National Endowment for the Arts and theÌýJohn Simon Guggenheim Memorial Foundation. Fraser serves as professor ofÌýEnglish at the University of West Georgia. |
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John Gallaher’s most recent collection is In a Landscape (BOA, 2015), and otherÌýpoems appear in New England Review, Poetry, FIELD, and Pleiades. |
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holds a PhD in creative writing from Florida StateÌýUniversity. Her poems have been published in Prairie Schooner, Mid-AmericanÌýReview, Hayden’s Ferry Review, Crab Orchard Review, Copper Nickel, and others. They also appear in the anthologies Best New Poets 2013, It Was Written: PoemsÌýInspired by Hip-Hop, and Myrrh, Mothwing, Smoke: Erotic Poems. Honors include aÌýTennessee Williams Scholarship to Sewanee Writers’ Conference, a scholarship toÌýMartha’s Vineyard Institute of Creative Writing, and a residency at Vermont Studio Center. She is a contributing editor for Organic Weapon Arts chapbook press. |
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is the author of four books of poetry, including Bright Dead Things,Ìýwhich was named a finalist for the 2015 National Book Award in Poetry,Ìýa finalist for the Kingsley Tufts Poetry Award, a finalist for the 2015 NationalÌýBook Critics Circle Award, and one of the Top Ten Poetry Books of the YearÌýby The New York Times. Her other books include Lucky Wreck, This Big FakeÌýWorld, and Sharks in the Rivers. She serves on the faculty of Queens University ofÌýCharlotte Low Residency MFA program and the 24Pearl Street online programÌýfor the Provincetown Fine Arts Work Center. Limón also works as a freelance writer, splitting her time between Lexington, Kentucky, and Sonoma, California. |
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The winner of a 2014 Lannan Literary Fellowship and three Pushcart prizes,Ìý is the author of Reaper, Habeas Corpus, Oh, James!, andÌýWhere You Live. She is the recipient of fellowships from the National Endowment for the Arts, the Fine Arts Work Center, the New York Public Library, the LibraryÌýof Congress, and Stanford’s Stegner program, and has taught incarcerated college students through Boston University’s Prison Education Program for thirteen years.ÌýHer work has appeared in Poetry, Slate, The Nation, The Threepenny Review, andÌýThe Best American Poetry. McDonough teaches in the MFA program at UMass-Boston and directs 24PearlStreet, the Fine Arts Work Center online. Her fifthÌýpoetry collection, Here All Night, is forthcoming from Alice James Books. |
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is the author of Beasts of the Hill and Dirty Bomb, both from OberlinÌýCollege Press. His awards include an NEA Poetry Fellowship, an Indiana IndividualÌýArtist’s grant, and the FIELD Poetry Prize. Neely teaches at Ball State UniversityÌýand at Ashland University’s low-residency MFA program. |
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is the author of the poetry collections Best Bones,Ìýwinner of the Agnes Lynch Starrett Poetry Prize, and Darwin’s Mother, whichÌýis forthcoming from University of Pittsburgh in fall 2017. Her poems and essaysÌýappear widely in journals such as Ploughshares, American Poetry Review, AGNI,ÌýThe Kenyon Review Online, and Copper Nickel. Native to North Carolina,ÌýNordgren is currently a doctoral student in poetry at the University of CincinnatiÌýand associate editor at 32 Poems. |
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has been published in Best New Poets 2009, Quarterly West, Hobart,ÌýPANK, and The Rumpus, among others. Her chapbook Forget Me, Hit Me, Let MeÌýDrink Great Quantities of Clear, Evil Liquor is out at Split Lip Press. Schmid was aÌý2011 AWP Intro Journals Winner. She lives and writes in Nebraska. |
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is the author of three books of poetry: Weep Up (Tupelo Press,ÌýSeptember 2017), The Well Speaks of Its Own Poison, and Lamp of the Body. SmithÌýis also the author of three prizewinning chapbooks. Her poems appear in The BestÌýAmerican Poetry, The Paris Review, Ploughshares, The Gettysburg Review, Guernica,ÌýVirginia Quarterly Review, and elsewhere. In 2016 her poem “Good Bonesâ€� wentÌýviral internationally and has been translated into nearly a dozen languages. PublicÌýRadio International called it “the official poem of 2016.â€� |
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A singer-songwriter and poet from Atascadero, California, is the author of The Night We Set the Dead Kid on Fire which won theÌý2016 Patricia Bibby First Book Award and was published in February of 2017 byÌýTebot Bach Press. Recent essays and poems have appeared or are forthcoming inÌýBeloit Poetry Journal, cream city review, Prairie Schooner, TriQuarterly, Verse Daily,Ìýand elsewhere. Having received his PhD from Western Michigan University,ÌýEphraim currently teaches creative writing on the graduate faculty at theÌýUniversity of Central Florida and lives with his fiancé in Orlando.Ìý |
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2016 Mary C. Mohr Poetry Award winnerÌýRichard Thompson was recently awarded Sigma Tau Delta’s Eleanor P. NorthÌýPoetry Award. His poetry has appeared in Skive Journal, Empirical Journal, and TheÌýAvenue, among others. He grew up in rural Canada, and now lives with his wife,ÌýSherise, and son, Jacob, in Houston, Texas, where he is a clinical psychologistÌýand studies creative writing at the University of Houston. |
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Michael Waters has written eleven books of poetry, including Celestial Joyride;ÌýGospel Night; Darling Vulgarity, a finalist for the Los Angeles Times Book Prize;Ìýand Parthenopi: New and Selected Poems, finalist for the Paterson Poetry Prize.ÌýHis poems have appeared in various journals, including The Yale Review, The ParisÌýReview, The Kenyon Review, Poetry, The Georgia Review, and Rolling Stone. He isÌýprofessor of English at Monmouth University and also teaches in the DrewÌýUniversity MFA Program in Poetry and Poetry in Translation. Waters lives withÌýhis wife, poet Mihaela Moscaliuc, in Ocean, New Jersey. |
Interview
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Philip Metres is the author of Pictures at an Exhibition (2016), Sand OperaÌý(2015), A Concordance of Leaves (2013), and others. His work has garnered aÌýLannan fellowship; two NEAs; six Ohio Arts Council grants; the Hunt PrizeÌýfor Excellence in Journalism, Arts & Letters; the Beatrice Hawley Award; twoÌýArab American Book Awards; the Watson Fellowship; the Creative WorkforceÌýFellowship; the Cleveland Arts Prize; and a PEN/Heim Translation Fund grant.ÌýMetres is professor of English and the director of the Peace, Justice, and HumanÌýRights Program at John Carroll University in Cleveland. |
Fiction
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2016 Mary C. Mohr Fiction Award winner Bradford Kammin’sÌýshort stories have appeared in The Gettysburg Review, Arts &ÌýLetters, Cimarron Review, and elsewhere. He is a graduate of the University ofÌýMichigan’s MFA program in creative writing, and is currently pursuing a PhD inÌýEnglish and creative writing at Western Michigan University, where he teachesÌýcreative writing and serves as fiction editor of Third Coast. |
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Andrew Mitchell’s fiction has appeared or is forthcoming in Ploughshares,ÌýGulf Coast, Sycamore Review, Tin House’s “The Open Bar,â€� and elsewhere. He is theÌý2016 recipient of the Barthelme Prize for Short Prose. Mitchell lives in Dover,ÌýNew Hampshire. |
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Leslie Pietrzyk is the author of This Angel On My Chest, which received theÌý2015 Drue Heinz Literature Prize and was published by University of PittsburghÌýPress. Her short fiction and essays have appeared in many publications, includingÌýThe Hudson Review, The Gettysburg Review, The Iowa Review, Midwestern Gothic,ÌýSalon, and The Washington Post Magazine. |
Nonfiction
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Catherine Pond has been published in Boston Review, Narrative, the Los AngelesÌýReview of Books, and more. She teaches poetry at the Fashion Institute ofÌýTechnology, and she is assistant director of the New York State Summer WritersÌýInstitute. In the fall, she will begin her PhD in creative writing at the UniversityÌýof Southern California. |
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Lee Zacharias is the author of a collection of short stories, Helping MurielÌýMake It through the Night; two novels, Lessons and At Random; and a collection ofÌýpersonal essays, The Only Sounds We Make, which won a silver medal in creativeÌýnonfiction in the 2015 Independent Publisher Book Awards. Her nonfiction hasÌýappeared in numerous journals, including The Southern Review, The GettysburgÌýReview, Pleiades, Prairie Schooner, and Shenandoah, among others, and has beenÌýreprinted in The Best American Essays. Zacharias is emerita professor of English atÌýthe University of North Carolina Greensboro. |